Cinematographer Autumn Durald Arkapaw has broken a significant barrier in filmmaking. She is the first woman to serve as director of photography on a feature film shot with 65mm IMAX cameras. This historic achievement was confirmed by industry reports from The Hollywood Reporter. Her work defines the visual scope of the new epic, Sinners.The film, directed by Ryan Coogler, utilizes the rare Ultra Panavision 70 format. This choice creates a deeply immersive and visually stunning experience for audiences. Arkapaw’s pioneering role marks a major step forward for gender representation in behind-the-camera roles.
From Indie Roots to Blockbuster Vision
Arkapaw’s journey began in independent cinema. Her early work on films like Palo Alto showcased her distinct visual style. She later transitioned to major studio projects, including the Disney+ series Loki.Her work on Loki introduced a darker, more cinematic tone to the Marvel Cinematic Universe. This creative shift was widely praised. It ultimately led to her collaboration with Coogler on Black Panther: Wakanda Forever and the subsequent period epic.

The Technical Challenge of a Cinematic Legacy
Shooting Sinners on large format film was a deliberate artistic decision. According to The Hollywood Reporter, Coogler originally envisioned the project on 16mm. The vision expanded after discussions about the story’s epic scale and its vampire folklore themes.The team conducted extensive camera tests in the desert. The results from the 70mm projection were decisive. They committed to the challenging and prestigious format, knowing it would offer a unique theatrical experience.
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This historic cinematography work by Autumn Durald Arkapaw sets a new benchmark for visual storytelling. Her success paves the way for more women to lead major technical departments on Hollywood’s biggest films.
Info at your fingertips
What is Autumn Durald Arkapaw known for?
She is renowned for her cinematography on major projects like *Loki* and *Black Panther: Wakanda Forever*. She recently made history by becoming the first female DP to shoot a feature film, *Sinners*, on 65mm IMAX.
What format was used to film *Sinners*?
The movie was shot using Ultra Panavision 70 and IMAX 15-perf film. This makes it one of only eleven films in history to be captured with the Ultra Panavision 70 format.
How did she get her start in cinematography?
Arkapaw studied at the American Film Institute. Her first feature was the micro-budget film *Macho*, shot on 35mm. She built her career through independent films and music videos before moving to large studio productions.
What was significant about her work on *Loki*?
She and director Kate Herron introduced a darker, more moody visual style to the MCU. They championed practical sets and aggressive lighting, which was a noted departure from the franchise’s typically brighter aesthetic.
Why is shooting on film important to her?
She developed her craft using celluloid at AFI and has a deep appreciation for the format. She believes it offers a unique and immersive quality that can enhance the audience’s cinematic experience.
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