More than a month after its release, O Romeo continues to register modest footfall in cinemas, reflecting a run that has slowed but not yet faded. By Day 33, the film’s net collection in India stands at ₹72.43 crore, with total gross earnings reaching ₹85.67 crore across nearly 68,000 shows.

Directed by Vishal Bhardwaj, the crime drama opened on 13 February and found early traction through a strong first week. The film brought in ₹47.10 crore during its initial seven days, a figure largely shaped by steady weekend turnout and wide screen availability.

Its opening day collection of ₹8.50 crore set the tone, followed by a noticeable jump on Saturday. Sunday numbers settled slightly lower, but the weekend ensured a firm base before weekday earnings began their expected slide. Even then, the drop was gradual rather than sharp, allowing the film to close its first week just short of the ₹50 crore mark.

The second week saw collections ease to ₹14.45 crore as screen counts started to shrink. Daily earnings fluctuated, with occasional weekend lifts, but the overall trend pointed downward. By the third week, the pace had slowed further, adding ₹6.65 crore over seven days, with weekday figures slipping below ₹1 crore.

In its fourth week, the film contributed ₹2.95 crore. New releases claimed a larger share of screens, though O Romeo retained some presence, particularly over weekends where occupancy hovered in the mid-teens.

The fifth week has been quieter. Daily earnings have remained under ₹1 crore, with Day 31 marking a slight uptick before figures dipped again. By Day 32, collections stood at ₹0.18 crore, taking the cumulative net total to its current level.

The film’s trajectory follows a pattern often seen with mid-budget crime dramas, where early curiosity drives initial turnout before attention shifts elsewhere. Weekend occupancy has consistently outperformed weekdays, though overall attendance has thinned in recent weeks.

Featuring a cast that includes Shahid Kapoor, Tripti Dimri, Nana Patekar, Vikrant Massey, Tamannaah, Avinash Tiwary and Disha Patani, the film draws loosely from accounts linked to Mumbai’s underworld in the 1990s.

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For now, O Romeo remains in limited theatrical circulation. With its current numbers in place, attention is likely to turn toward its next phase once a streaming release is formally announced.